– F.A.Q –
Otherwise known as Frequently Asked Questions
GENERAL
Where were you born? How old are you?
I was born in Southeastern Idaho in April of 1992.
Where do you live?
As of 2009, I still live in Southeastern Idaho.
What were you like as a child? How about as a young adult?
As a child, I was very insecure and self-centered. I would often keep to myself or the people I trusted, be unwilling to try new things or go to new places, and would be afraid of meeting new people. I contribute this to the bullying I experienced early on in my life. Because of these personal attacks, and because children are not capable of molding pre-rendered defenses, I became very insecure, and because of that, was very shy.
As a young adult (from the age of thirteen to fifteen,) I slowly began to realize that, if I wanted to do something with my life, I would actually have to do it, not just sit back and wait for someone to do it for me. So, through two long years and several hard months, I built my confidence up with the things I could do best. Reading, writing, photography, generosity—any and all of these things helped me become more confident. But, like all good things, the bad came with it. Since I was continuously bullied from the age of five, I had to learn to deal with bullies and people who questioned my motives. I eventually got to a point where I stopped listening and began to fight back, without violence and without using physical aggression.
What do you do in your spare time?
When I’m not keeping myself busy with something (mainly, writing,) I read, play video games, take pictures and sketch. I don’t claim to be an artist (I can hardly draw as it is,) but sketching passes the time and gives me something to do when I’m bored.
How did you become so mature?
This is a question I get asked a lot, or a comment that is generally said about me. I became mature for the simple reason of necessity. Like certain species of fish have evolved air bladders to breathe oxygen, I mentally matured more quickly than others my same age because I had to face certain obstacles that would have destroyed me otherwise. Be it mental or emotional abuse at school or something else entirely, I subconsciously changed the way I dealt with situations and traumas. I can’t give a concrete, short answer for that question, but I think that sums it up.
Are you religious?
No, I am not religious, nor am I of any religious faith. I was brought up in a family that believed you didn’t have to go to church to believe in a higher power, should you believe that power. I have never been pressured to believe anything I didn’t want to believe, I have never been forced to attend anything I have never wanted to attend, and I have never been pressured to turn to a higher power to deal with my problems.
My beliefs are scattered, but without going into detail, they rely on the physical and concrete, mainly the proof of science and what the human eye can see. This does not, however, mean I don’t believe in cells, microbes, or anything similar that the human eye cannot see; this simply means that what I believe is set in stone.
If you’re asking if I believe in God—no, I generally do not. Does that mean I don’t believe in a higher power? No, it doesn’t. I simply do not believe in the God the general man sees. I like to refer to myself as an Agnostic with Atheist viewpoints.
Do you want to go to college? If so, what would you study?
It’s not in my current set of goals, but yes, I would like to go to college. I have thought of studying many things. At first, I wanted to attend the Iowa Writers College, then I realized that I already know how to write, and having a degree in creative writing would not help me sell more stories. I thought of studying to be an English teacher (preferably for high school students,) then I realized teachers aren’t paid well enough. Currently, I have two options that seem strong—psychiatry/psychology and marine biology. I’m leaning toward the latter, mostly because I have a tendency to obsess over other people’s problems. In that respect, I’d say I’m too empathetic to be a good counselor. I would attach myself to one of my patients and would only dedicate myself to him or her, which would do no good for anyone else seeing me.
You said you were bullied in high school. When did it start? What did you do, and how did you finally remedy the situation? What do you recommend to teens who are getting bullied?
In order to better answer this question, I will divide it into sections soothe answers are better laid out.
The bullying I experienced began when I was five-years-old, after my parents enrolled me in preschool and my fellow peers questioned the fact that I didn’t go to church. Even then, it seemed as though the only thing that mattered in a small religious town was that you went to church. Because I was not part of the majority of the religious faith, I was bullied. This bullying continued on until elementary school and only continued to escalate when I had to get glasses. I was called four-eyes, freak, geek, nerd, among other things. Then, after I had to have surgery to remove an abscess of infected tissue, I gained weight because I wasn’t as active as I was before. By the time I entered high school, I was heavy, wore glasses, had braces, and hung out with overweight girls because they were the only ones who would be my friends. You can imagine how bad I must have had it. I was the long-haired, glasses-wearing, braces-extending, fat kid who hung out with the ‘earthquakes’ and the girls who wanted to kill themselves. Needless to say, I had it rough.
When the bullying started to get to me to the point where I no longer wanted to go to school, I did what anyone would do—I went to my parents. They talked to the school, complained that they wanted something done, and spoke with a counselor who recommended I see her. About this time, she diagnosed me with depression and said that it was because I ‘wore black and had long hair.’ People who are depressed like to sit in dark rooms and hide from the rest of the world, she said. Well, who could blame me when I couldn’t step into a classroom without someone talking about me? I left school early that day crying because I was so upset. I talked to the vice principal, who did nothing to help me (not even bothering to suspend the students who mercilessly spread rumors and crucified me with their words,) and I talked to teachers who I thought could help. Sadly, though, nothing happened.
In the end, the situation remedied myself when a rumor about me posting a death threat on an internet website began to circulate the school. I was interrogated by the local police department and the FBI for three hours before they took my computer away. I can’t fault them for doing their job, because it is their job to keep the general public safe, but the situation could’ve been handled better, especially since I was traumatized to the point where I never wanted to attend school again. The same vice principal said it would be better if I not attend school, so I didn’t go back. I tried another school, but no one would talk to me for the first week I was there. I was homeschooled for my tenth grade year before I technically dropped out when I turned sixteen.
What I would recommend to teenagers and children who are being bullied is to go through the system. First, get your parents involved. Try talking with the bully’s parents, and if that doesn’t work, try to get the school system involved. If they refuse to do anything, and your parents aren’t willing to try to go further, there’s one of two things you can do. One, you can thicken your skin and try to block the negativity out; or two, you can stop going to school. The first one will only work for a certain amount of time, because no one’s armor is invincible, and no armor will ever withstand the blows of a thousand cannonballs. Never, and I repeat never, use physical violence to try to deal with your problems unless you yourself are being physically abused (in which case, you should defend yourself, then get yourself as far from the situation as possible.) If someone’s hurting you, you should not let it happen. As I mentioned above, people are willing to go to dangerous lengths to harm others.
If you’re being bullied, follow these steps to try to remedy your situation:
(If you’re a parent who has a child in elementary school):
Talk with the bully’s parents. See if you can’t work something out between each other. If that doesn’t work, then go to the school or the school counselor. It’s better to have the problem taken care of sooner before it escalates into something much worse.
(If you’re a teenager):
1. Tell your parents. It doesn’t pay to keep your pain to yourself.
2. See your school counselor or principal. It’s their job to make sure you feel safe.
3. If your counselor or principal isn’t helping, demand that something be done. It may seem extreme to refuse to turn in work, or to skip school to keep away from your problem, but an educational building is meant to be a safe place for you to learn, not to be bullied.
4. If the school doesn’t help you, look for alternative methods. Homeschooling can help, and nowadays, you can do it online. You don’t need to sit in a classroom for eight hours to get a diploma.
Never, ever, tolerate someone hurting you, and never resort to physical violence to solve your problems. History has shown that bloodshed is unnecessary, and that words are more powerful than weapons.
Have you ever experienced peer pressure?
Thankfully, I haven’t had the experience of facing bad pressure, but I’ve faced good peer pressure. I’ve done things I normally wouldn’t do because I was influenced by my friends, and because of that, I’m a better person.
In the end, peer pressure is about keeping away from the things that can get you in trouble and what can get you in over your head. Don’t take something someone gives you, don’t leave an open drink sitting at a social event, and don’t break laws set in place by our government in order to please someone else. Once you do something that gets you in trouble, you normally cannot undo it. Keep your head held high and never look back. The future is yours. No one else can stop you.
Where do you see yourself in ten, twenty years?
In ten years, I see myself stable, both financially and emotionally, and hopefully with the love of my life.
In twenty years, I see myself with my own home, a loving family, and a yard full of cats, dogs, ferrets, and an assortment of other animals.
How do you manage to maintain such a good personality?
I was originally taken aback when I was asked this question, mostly because I don’t think my personality differs from most anyone’s. After reconsidering it, I realized that, when I was asked this question on a radio show, I was asked because I was in a good mood and wasn’t afraid to express my personality, which is something I’m still reluctant to do.
To answer the question, I’m able to maintain such a good personality on a regular basis because I try not to let the negative things get in the way of my life. I’ve learned through being diagnosed with depression and anxiety disorder that it’s easier to try to push the negative on the backburner than to let it constantly sit on the forefront. That’s not to say that I don’t have worries, doubts and fears; it just means I try to push those aside and deal with them as I’m able to.
What do you believe is the meaning of life?
To change something, someone or someplace. To contribute to society as a whole is to change parts of someone’s life even the slightest way. You don’t have to be a world-famous athlete or an inspirational speaker in order to change someone. Half the time, being yourself is the whole battle.
Do you have a MySpace, Facebook, YouTube or Twitter account?
Yes. I have both a MySpace and a Facebook, as well as YouTube and Twitter account. I try to keep them active as much as possible, but I’ve neglected Twitter until recently mostly due to the fact that I don’t tweet every single thing that happens to me. Facebook and MySpace are updated on a regular basis, and I try to keep my YouTube page from being videoless.
I have a friend who is/I myself am suicidal. What should I do?
Seek medical attention as soon as possible. Don’t bother trying to explain your problem to someone who isn’t going to listen or help you. Counselors are often available 24-7 through various helplines, and doctors are there to help you every day of the week. If you’re over the edge and you’re contemplating suicide at that very moment, call a helpline, or, if you’ve already done something to hurt yourself, 9-1-1. As someone who’s seen another nearly succumb to the twisted pains of human emotion, I am well aware of what life can do to a person if they become overwhelmed by it.
Suicide isn’t the way out. The only people you hurt are those you leave behind.
WRITING
When did you start writing?
I started writing when I was seven-years-old, after my second-grade elementary school teacher assigned an object-specific writing assignment to the class. I wrote very little of the story after that, but started up again in sixth grade (when I was around eleven or twelve.) I’ve been writing ever since.
What was your first story about? What do you think of it now?
My first story was a modernized dark fantasy centering around a young man named Joseph who, after entering a door only he seems to be able to see, finds a magic ring. The story continues with him finding rings left behind by other various supernatural creatures and, eventually, climaxes when he’s able to enter another world and summon said creatures from the rings.
Looking back at that story, I’m happy that I wrote it, and I’m happy that my elementary school teacher helped me find my passion so early on in my life. Although I’ll probably never do anything with it, it’s still a perfect backbone to something I could easily return to. I tried writing a second draft (and succeeded) a few years back, but am not interested in rewriting it again.
How did you learn to write so well? Did you take any classes?
I think many people are surprised to hear that I’m a self-taught writer. Like many, I learned through trial and error, from reading and rereading, and from editing and reediting. It’s taken a good three years of writing in and through the small press to get to where I currently am with my talent. I credit my editors, friends, and a few critique groups in helping me sort out my flaws and, generally, bring out the best in me.
Who was the biggest help in getting you start?
Along with my elementary school teacher, I had an eighth grade Idaho History/English teacher to credit for getting serious about my writing again. After I switched to a higher English class (because I’d originally placed in a lower level,) she talked to my mother and, thankfully, my mother said I was writing a book. This teacher expressed interest and offered me helpful feedback. I credit her for kickstarting my writing.
What age did you get serious about your writing?
When I was fourteen, I took a look at the guidelines for a short story anthology and said, ‘I’m going to write something for this.’ When I got rejected (for the first time,) I was hurt, but I didn’t give up.
Six months later, my first short story was published.
When did you decide to write dark fiction?
I was inspired to write dark fiction after watching the remake of Dawn of the Dead in 2007. I became obsessed with the idea of an infection taking over the world and turning its infected hosts into zombies. I wrote my first horror novel, Black Darling, in a span of two weeks.
When was your first story published?
My first story, [A] Prom Queen’s Revenge, was published in May 2007 in the Yellow Mama Webzine.
Why do you write horror/dark fiction?
I write dark fiction simply because, in my opinion, it’s one of the broadest genres to work with. While fantasy can take you into worlds and show you things you could never begin to dream of, and while science fiction can take you to the Moon and back, dark fiction can tap into the roots of your mind and embed itself there. With Horror, you’re opening yourself to so many different sub-genres that you, essentially, have an unlimited pool to work with. From prom queens to zombies, from aliens to werewolves, you can write any and everything as long as it has a dark or horrific element. I write horror (and its sub-genres) because I like the psychology of what scares and frightens people. It’s also a way to channel my fears into something I can understand or relate to.
What is contemporary fiction?
Contemporary fiction is writing set in modern-times and dealing with modern events. It’d be hard to define the genre itself, but works like Mrs. Kimble and The Condition by Jennifer Haigh are excellent examples of contemporary fiction and what exactly it is. My story, The Dog on Taylor Road, is contemporary fiction, albeit with a darker tone.
You also write dark fantasy. How is that different from regular fantasy?
As far as I’ve heard (and understand,) dark fantasy is fantasy written in a darker or moody tone. I’ve also heard that regular fantasy cannot contain werewolves, vampires, the undead, or anything else that may be deemed ‘horrific,’ but I don’t believe that. There’s also comparisons to anything with said creatures actually being urban fantasy in a different world, but again, I find that arguable.
To answer the question in a more direct way, I’ll reference my own dark fantasy. My novel Blood is about a young man who is imprisoned in a tower after he receives a sword from a mysterious source, due to the fact that the king’s table believes the boy will cause trouble. The beginning of the novel—dark, moody, and highly claustrophobic—deals heavily with depression and is a common theme throughout the novel, as well as coming-to-terms with oneself and how certain events can impact the lives of others. Due to these darker themes, I classify my novel as dark fantasy, but you’re free to argue with me if you’d like.
Are you confident about writing? If so, how long did it take to get that way? (2009)
A year ago, I’d say I was more than confident with my writing.
Now, though, I won’t say that.
I could go into a long and lengthy ordeal about why I’m not confident, but I won’t. All that I’ll say is that every writer goes through what I call a ‘revelation,’ in which they understand that not everything they write will be perfect, unflawed, and able to be published. Because of this, I often suffer paranoia when I’m writing something (though half the time, it’s just paranoia and the piece is perfectly fine.) I’ll have times where I am confident with my writing, whereas I’ll have times I have to leave the computer in order to keep from destroying it. It’s all a matter of believing in oneself.
What did you write about when you were younger?
As I mentioned before, I wrote a lot of fantasy when I was younger. From the age of twelve to fourteen (before I wrote Black Darling,) I wrote roughly seven fantasy novels—two sci-fi/fantasy and five dark fantasy. I am currently in the process of rewriting three of those five dark fantasy novels in my current style and skill, though it is slow work, due to the fact that I’ve learned that good, well-constructed fantasy does not exist in seventy-thousand words. The first of those three books will be split into two books due to length issues. I assume the same will happen with the other two.
How did you learn to write dialogue so well?
When I was younger, I used to sit around with the adults in my family and listen to them talk. I credit that to my natural flair with dialogue. I also tend to ‘people watch,’ which is the act of listening in on other people’s conversations. I wouldn’t recommend doing it when people are able to watch those. This is why restaurants are so important for writers.
How do you research your stories/novels?
The internet mostly, but I’ll also resort to books in the most dire of situations. I don’t recommend Wikipedia or any public-domain research sites. I could go online now and say Stephen King is famous for his erotic paranormal romance novels if I wanted to. All it would take is the click of one ‘edit’ button.
What is your advice to writers looking to break into the industry?
Make contacts, submit early, join message boards, make friends—those four things are what you need to break into the industry.
I’m a teenager who aspires to be a writer. What advice do you have for me? What should I do to become a better writer, and how should I go about submitting work to publishers?
First and foremost, read, a lot. If you don’t read, you’ll never write, if only because you won’t know the basic story mechanisms and the way sentences can and should flow. Practice every day if possible, pick up grammar books, and study what you read. Sentence structure, the way paragraphs are laid out, the way characters talk and the way events unfold are all important to the story. Don’t expect the first thing you write to get published, and don’t expect the tenth or twentieth thing to be either. Practice makes perfect. If you work hard enough, you’ll get there.
If you want to become a better writer and have a thick skin, I’d recommend a critique group. You can find them easily enough online, but you’ll only get as much out of it as you’re willing to put in. Again, read a lot, write a lot, and study up on what you can. If possible, seek out editing practice online (in the form of print-out sheets) and try your hand at editing. Through copy/proof-editing, you’ll learn things about your own work that you can only see through another’s (due to the writer’s blind eye.)
Getting published is tricky. I’d recommend the websites Ralan.Com or Duotrope.Com, but there’s also many teen-oriented magazines you can submit to. TeenInk is one I’d recommend, if only because they’ll send you a free copy of the magazine to show you what it’s like before you submit. Be sure to learn proper manuscript formatting, make sure your work is editrf, and be courteous to your editor. Editors have friends in the business. Anger one and you’ll anger all.
What is your preferred writing environment?
I prefer to write in dark, quiet spaces, away from normal human and social interaction. Silence is the darkness of a writer’s mind, as is the comfort that comes with it. Though not picky, I prefer to write with my laptop settled on a nice, sturdy surface while sitting in an area I can have my legs up under said surface. With a desktop, a desk is perfect—required, for the most part; but with a laptop, any nice, solid table or desk with leg room lets me get into the mood. Muted lighting—particularly to one side or the other—is also preferred. I find that it strains my eyes to have very little light, so a nice, strong light in a situation where it tones down when it comes to meet my focal point is what I prefer. Other than that, I don’t require much to write. I’ll write longhand (which I detest doing) if there isn’t a computer nearby or handy. Artists kill for their lies—it’s up to us to make them real.
What do your friends and family think of your writing?
My friends are extremely supportive, often to the point where they’ll go out of their way in order to help or encourage me. I’ve had several friends over the years that have taken time out of their hectic personal schedules in order to help better a story or offer advice about the business. Bobbie Metevier’s work on Caroline and The Dog on Taylor Road was (and still is) invaluable, as both stories have gone on to sell to either collections (the former) or webzines (the latter,) while Leah Clarke took Marilyn—a failure in my eyes—and turned it into a gem. It, too, was picked up by a webzine and has gone on to touch several people in ways I haven’t expected it to.
Along with friends, I’m blessed to have an incredibly-supportive family. Never once have they said to turn around or criticized me for spending long, hard hours at a computer, bleeding, crying and sweating the horrors of the real and fantastical. When they say family is one of the strongest bonds a person can have, they’re not wrong. Every inner circle has rings that divide it, sure, but never is the ring broken—shattered, maybe, and cut to pieces, but not broken. Regardless of damage, it remains, weathering the thickest of storms as though they’ve never happened.
Does your own writing ever instill emotional response?
Does a painter sigh, a musician cry and a writer try? Does a scientist see the world and gasp in awe, or a glutton open his maw? Like these things, my writing is one of the greatest things the wondrous magic of the human imagination has given to me.
They say there’s a monster in all of us—clawing, ripping, gnawing its way out of you. Whenever this monster strikes, I sigh, cry, and try… sometimes I even die on the inside. But like all things that die, I’m eventually reborn. When that happens, another seed is sown and another tree begins to grow.
I’d die before anyone took my writing away from me. I think any artist would say the same thing.
Are any of your stories inspired by dreams?
The obscurity of the sleeping human mind is a strange, strange thing. One of my better-known stories—The Dog on Taylor Road—was written in a four-hour period after coming to me in a dream. I, like many artists, have the ability to remember concrete details about their dreams. From start to finish and beginning to end, the majority of my more personal dreams often end up in my stories. Sometimes I have to fill in the blanks, but oftentimes the cracks are already filled in by clay.
What are your goals for the next two years with your writing?
As ambitious as I am, I’d like to have my current backload of my novels out by 2012. These novels include Don’t Forget to Breathe, Siamese Soul and Arkady’s Suffering, which—save for Arkady’s Suffering—require complete, scene-by-scene rewrites.
However, the rewrite process does not deter me. As it stands, I’ve already rewritten one novel, and need to rewrite another, so there’s nothing wrong with that. Honestly, I love the process of reimagining a work and including details that weren’t previously in said work.
What is your editing process like?
My editing process requires three steps and three steps only—sit down, read, edit. As far as I see it, there’s really nothing else I can do.
Do you edit yourself, or do you let others look at your work before you submit?
For the most part, I edit myself. If someone comes along and says, ‘Hey—I’ll look at that for you!’ I normally do that. If I get stuck on something, I’ll ask for an opinion, but other than that, I mainly edit myself, if only out of necessity. Since I don’t have an agent or an editor who’s ready to read any and everything I write as I write it, I have to load my own guns and pull my own triggers.
How do you deal with bad reviews?
There’s a simple way to do this—don’t look at them. Although I’d suggest anyone looking to improve to interact with critics, editors, and readers, I wouldn’t tell you to stick your face in a pit full of rattlesnakes, which is exactly what product sites such as Amazon.Com are. I learned with the early version of my novel Sunrise that unless you don a suit of impenetrable armor, you’re going to get your feelings hurt, and you’re going to feel low in the following days. You’ll lay awake at night wondering if they’re right or if they’re wrong, if you’re supposed to blow it off or take it to heart.
My personal philosophy—which, for the most part, is probably right—is if someone wants you to know what they think of your work, they’ll contact you, not the other way around,
What do you think about critique groups? Do you recommend them?
Personally, I like critique groups… just not some of the people in them.
The honest, no-bullshit opinion about critique groups is that there’s always going to be three types of people: The soft-speakers, the no-opinioners, and the hard-assers. The hard-assers are the ones that are likely to drive you out of the group, they’re the most likely to not get something, then make a brass-balled statement about it, or tear you apart because they’ve got the guts to do so.
The second honest opinion is that, if you truly want to improve, you need a critique group, or at least someone to look over your story that’s going to give you an honest, articulate opinion. Sure—anyone can look at something and say, ‘This character looks/sounds like this’ or, ‘You should change this because in my opinion, this is this and that is that,’ but the true critics will look at something, analyze it for what it is, and tell you what’s right, what’s wrong, and what needs to go, without attacking your personal character or your background.
Do you have a muse?
All creative people have a muse. I’ve made bold statements about ‘sleeping with men,’ but I don’t mean real men. If that’s not hint enough, my muse tends to take on the form of the secondary (usually-male) character. They talk to me at night, put images in my head, and sleep next to me as though any other person would. Some might say it’s strange (disturbing, even,) but I’ve learned to sleep with the ghosts that inhabit my mind. They’ll go away as long as I tell their stories.
What is ‘The Rule of Three?’
The Rule of Three—whether of my own creation or not—is a mechanism that’s often used in my writing. When I describe, symbolize or dramatize something, I tend to do it with three words, phrases or things. A prime example of this can be found in a good deal of my late-2009 (post Dog on Taylor Road) work. It’s used to pack a punch and make things stand out. Description isn’t even—it’s dispersed, distorted across a cosmos of images. That tree outside your door may have wide branches, but it also has thick bark and gnarled roots. That man you saw in the supermarket wasn’t just dazzling, he was awe-inspiring and beautiful, with amber eyes, raven-black hair and dark, pouty lips. Your dog barks, marks and farts; your cat meows, bows, and yee-ows, and you eat, sleep and drink. Everything falls in The Rule of Three, whether you see it or not.
Who is your greatest artistic inspiration?
As outrageous as it may be, I find a woman named Stefani Joanne Angelina Germanotta (also known by her stage name Lady GaGa) to be my greatest artistic inspiration. I’ve had people bold enough to tell me that there’s no point to her lyrics and that I’ve picked a lousy person to look up to, but those people probably haven’t bothered to look past the glam and glitter to see what Stefani Germanotta (or Lady Gaga) is really about.
Since I discovered Lady GaGa in mid-2008, a part of me has opened up to the different and the obscure. Before, I considered artistic expression to be one sided, a mirror which only one could look into and see their own reflection. With GaGa, I’ve learned to look past the mirror and see the world and people on the other side. Look in a vanity and see the reality, look in a bathroom and see the living room; look in a handheld and see the withheld. I haven’t come across an artist (written, spoken or drawn) that has been able to both entertain and make me happy with the single thing they do. It’s because of Lady GaGa that I’m able to see art as both art and entertainment.
Favorites
AUTHORS
Steve Alten
Poppy Z. Brite
Tristan Egolf
Jennifer Haigh
Stephen King
BANDS
Cranberries, The
Dead or Alive
Dixie Chicks, The
BOOKS
Meg – Alten, Steve
Drawing Blood – Brite, Poppy Z.
Exquisite Corpse – Brite, Poppy Z.
Cornwolf – Egolf, Tristan
Mrs. Kimble – Haigh, Jennifer
Lisey’s Story – King, Stephen
COLORS
Red
Blue
Silver
Gold
Black
Violet
MUSICIANS
Alanis Morisette
Bjork
David Choi
Jay Brannan
Jennifer Chung
Jessica Sanchez
Lady GaGa
Lisa Lave
TELEVISION SHOWS
Cake Boss
Dexter
Dr. G: Medical Examiner
Ghost Whisperer
Medium
Surface
Trauma: Life in the ER
Vampire Princess Miyu
